• Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
  • Jayne Redman Jewelry OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s
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Jayne Redman

OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s

OOAK Designer Jayne Redman 925 18k 14k Modernist 3D Flower Earrings 1990s

Dhs. 1,212.00 AED
Dhs. 1,212.00 AED
Sale Sold out
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Designer Jayne Redman OOAK Sterling + 18k + 14k Abstract Modernist 3-D Keum-Boo Flower Earrings Original Retail $570

 

Measurements: .7"L x .7"W x .5"Thick  (1.78cm x 1.78cm x 1.27cm) 

Markings: Back of earrings: Maker's Mark .925 18k - Earring stems: 14k

Earring backs: 925

Weight: 6.1g

Superb sterling silver and 18k yellow gold earrings from award winning designer, Jayne Redman. Earrings were made in the Keum-Boo technique and feature a 3-D flower shape with the body made of sterling silver and they are adorned with strips of 18k yellow gold as well as having 18k gold center orbs. One the backside each "petal" is secured with 18k gold pins. Fully hallmarked and signed they are in excellent, like new condition. AS with all of her creations, they are one of a kind.

Mannequin is a life-size representation

 

About Jayne Redman
 Nature provides an endless reference for imagination and invention. The linear quality of stems and the fullness of flower buds inspire my jewelry. I enjoy integrating mechanics with design, allowing each piece to function in a visually intriguing way. I work with multiples of the same shape engineering them to fit precisely giving an abstract impression of their botanical origin. Many years of metalsmithing have taught me the power of simplicity. My forms begin as flat metal shapes and arrive as small sculptures. Their complexity is in their conception as curving planes of origami.
Jayne Redman earned her B.F.A. in Jewelry and Silversmithing from Maine College of Art in 1977. She began her jewelry career in the fashion jewelry industry in New York as a design and production assistant. She started her own company, Jayne Redman Jewelry, in 1982 and began developing her award winning Floraforms® Collection in 1995. She has exhibited her work at fine craft shows for over thirty years and is represented by fine jewelry galleries and stores across the country. Jayne is a former faculty member of the Maine College of Art Department of Jewelry and Metals. She teaches workshops nationally and at  Jayne Redman Studio in Falmouth, Maine.
Awards
Niche Award, 1998 – Winner Silver Jewelry, Tulip Earrings, finalist Sweet Pea Earrings
American Jewelry Design Council New Talent Competition, 2000 – one of three finalists
Lapidary Journal Jewelry Arts Award, 2004 – First Place, Necklaces, Calla Lily Necklace
Niche Award, 2005 – finalist, Silver Jewelry, Palm Leaf Pin
Saul Bell Awards, 2009 – finalist, Silver, Dahlia Necklace
Publications
Art Jewelry Today, by Donna Z. Meilach
500 Earrings, Lark Books
21st Century Jewelry – The Best of the 500 Series, Lark Books
Celebrating 70, by Karen Lorene
Making Metal Beads, by Pauline Warg
Profiting By Design, by Marlene Richey – Contributor
Jewelry Metals, edited by James Binnion – Contributor: Step by Step Keum-boo Process
Linking Our Lineage: 12 Techniques from 12 master Smiths edited by Victoria Lansford
Feature articles in Crafts Report, MJSA Journal, Lapidary Journal, Art Jewelry, Professional Jeweler, Niche, and Ornament magazines.
Selected Teaching Experience
Maine College of Art, Portland, ME
Metalwerx, Waltham, MA
Craft Guild of Dallas, Dallas, TX
Rio Grande Jewelry Company, Albuquerque, NM
Revere Academy, San Francisco, CA
Armory Art Center, West Palm Beach, FL
CreativeSide Jewelry Academy, Austin, TX
Northern Kentucky University, Covington, KY for the Enamellist Society
The Craft Center at NC State University, Raleigh, NC
Maryville University, St. Louis, MO for The Society for Midwest Metalsmiths
Lillstreet Art Center, Chicago, IL
The Ranch Center for Arts and Craft, Snohomish, WA
Wesleyan Potters, Middletown, CT
Silvera Jewelry School, Berkeley, CA
Georgia Goldsmiths Guild, Atlanta, GA

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